I took a little break from Costume College sewing last week to whip up some new clothes for my boy to wear to a Bastille Day brunch. First, I made him a little Indienne print waistcoat that would work for both my Curtain-Along project and the Historical Sew Fortnightly "Eastern Influence" challenge. I used a Mill Farm Pattern for his waistcoat, and I thought the pattern made up quite nicely and was definitely worth the very reasonable price that I paid for it. My biggest complaint was that you have to pick one size for the patterns, and since I bought this one 2 years ago, I had to size it up on my own to fit him now. Multi-sized patterns are definitely a plus when working with kids clothes!
My inspiration for this garment came from this adorable boy's waistcoat from the Winterthur Museum. The front is made from a scrap of my Waverly curtains, and the front lining and the back are made from tan cotton duck. I also used a bit of striped light-weight linen for the lining in the back because I like the idea of using mix-and-match scraps for period linings. I was incredibly lazy and machine sewed and bag-lined the waistcoat instead of using period construction techniques, but it still looks pretty much the same and it saved me a good bit of time.
I also needed to make him an 18th c. shirt, which I am going to count for the HSF "White" challenge. I used the instructions in that same Mill Farm pattern to get me started, although I think I messed something up because the neckline and sleeves are less gathered than I expected them to be. I also had some trouble figuring out how to do the gussets and finish the seams. I am very much a visual learner, and unfortunately, the Mill Farm patterns are quite sparing with their illustrations. I referenced several other sites online to help me wrap my head around it, and I think it all came together okay in the end. I really liked this article by the Northwest Territory Alliance and found their instructions very helpful, even though I didn't follow them exactly.
I made the shirt out of a lightweight linen/cotton blend, and while I used my machine on some parts, I finished everything by hand. I was also excited to be able to use some of my tiny 1920's mother-of-peal shirt buttons from the collar and cuffs. As a finishing touch, I hemmed a triangle of gingham fabric and made a neckerchief to tie around his collar. All of the materials for the waistcoat, neckerchief, and shirt came from my stash.
This outfit is still a work-in-progress, and I hope to make him some drop-front trousers and a jacket sometime this fall. I also made his shirt and waistcoat bigger than necessary, so maybe they will last for a few wearings.
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16 comments:
It looks great!
That turned out so cute!
It's a splendid outfit, and he wears it very well. I look forward to the day that you give him his own sewing machine and he starts designing his own clothes!
Super cute! I love his new waistcoat! It's really a lovely use of your scraps!
Best,
Quinn
So cute! And it's fun to see that your son is fond of historic clothing, too :)
Sabine
I noticed you said you machine sewed it instead of using period construction techniques. Can you tell me where to learn more about period construction? I am a very beginning/novice/amateur maker of fur trade era costumes and would like more info. I know hand stitching is 'correct' but I don't know about any techniques. Thanks! Oh, and your gussets look perfect :-)...I have to use them all the time.(BTW, I posted the very same link from Northwest Trade Alliance a few months ago on my blog, lol. It works for fur trade, too.)
Fabulous! I like that it's such a different interpretation of the Waverly fabric. (I think you may have unleashed a monster with the curtain along, with 1000 permutations of what can be made with that fabric ;-) )
Also, totally awesome that your boy will wear this! Hurrah for raising kids with history and costumes!
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The blog post on Festive Attyre showcases a meticulously crafted 18th-century boy's shirt paired with an Indienne waistcoat. The shirt features hand-sewn details, including narrow sleeve bands and a small band collar, reflecting the period's craftsmanship. The waistcoat is made from Indienne fabric, known for its vibrant, hand-painted or block-printed designs, which were popular in the 18th century. This ensemble highlights the intricate sewing techniques and rich textile patterns characteristic of that era. Popularcert is committed to global leadership through high-quality services and strong industry partnerships. We prioritize customer satisfaction by offering expert consulting, training, audits, and certifications, including ISO, CE Mark, HACCP, Halal, BIFMA, GMP, and RoHS. Trust us for reliable certification solutions tailored to your needs. ISO Certification In oman
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